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Flapper Prints
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THE LOST CITY OF THE AFRICAN JUNGLES
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Joan Crawford, ca. 1926
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Joan Crawford, ca. 1929
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Joan Crawford, in a Ruth Harriet Louise portrait
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Joan Crawford, in a black satin gown trimmed with silver beads, ca. 1926
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Joan Crawford, ca. 1927
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Joan Crawford, ca. 1926
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Joyce Compton, 1926
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Joyce Compton, ca. late 1920s
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Betty Compson, ca. 1925
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Norma Shearer, modeling a chiffon evening frock with an uneven hemline, 1929
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Norma Shearer, ca. 1929
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Norma Shearer, modeling a panne-velvet evening wrap embroidered in crystals and trimmed in ostrich feathers
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Norma Shearer, 1931
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MYRNA LOY, Fox, 1931
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Esther Ralston, ca. 1926
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POLA NEGRI wearing a white knee-length fur Llate, late 1920s
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Phyllis Haver, ca. late 1920s
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Josephine Baker, 1920s
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Dolores del Rio, 1926
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Anna Q. Nilsson, ca. 1926
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JANET GAYNOR, Fox Film Corp, 1920s TM and Copyright 20th Century-Fox Film Corp
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WOMAN, 1918, poster art
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THOROUGHLY MODERN MILLIE, Mary Tyler Moore, Julie Andrews, 1967
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NOT QUITE DECENT, June Collyer, 1929
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JOAN CRAWFORD, 1930
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Colleen Moore, ca. late 1920s
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Colleen Moore, around 1927
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Lya De Putti, ca. 1926
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HER WILD OAT, 3-sheet poster, 1927, flirtation
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BROADWAY BABIES, Alice White, 1929
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Lola Lane, ca. 1929
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Louise Brooks, ca. late 1920s
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Louise Brooks, ca. late 1920s
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Clara Bow, ca. 1927
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MY LADY OF WHIMS, Clara Bow, 1925
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Clara Bow, modeling an evening wrap of chiffon velvet
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Clara Bow, ca. 1924
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Clara Bow, ca. late 1920s
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A woman models a silk crepe blouse and skirt, circa 1927
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Blanche Sweet, ca. mid-1920s
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WOMAN-PROOF, far left: Lila Lee, 1923
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MARQUIS PREFERRED, Adolphe Menjou, 1929
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FLAMING FLAPPERS, man holding baby on right: Glenn Tryon, 1925
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Colorful 1927 John Held drawing of a jazz singing flapper flanked by trombone and saxophone players (BSLOC_2020_2_27)
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THE PLASTIC AGE, Donald Keith, Clara Bow, 1925
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OUR DANCING DAUGHTERS, Joan Crawford, 1928
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IF I WERE SINGLE, from left, Myrna Loy, Conrad Nagel, 1927
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THE GIRL HE DIDN'T BUY, center foreground
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THE BOY FRIEND, Twiggy, 1971
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GENTLEMEN PREFER BLONDES, from left, Ruth Taylor, Holmes Herbert, 1928
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THE JOLLY JILTER, right: Ben Turpin, 1927
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THE FLEET'S IN, center: Clara Bow; bottom left hand corner: Jack Oakie; bottom right hand corner: James Hall
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SATURDAY NIGHT, foreground left: Leatrice Joy, 1922
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THE UNDERSTANDING HEART, Joan Crawford
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THE TRESPASSER, Gloria Swanson, 1929
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STRANDED IN PARIS, Bebe Daniels, 1926
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GENTLEMEN MARRY BRUNETTES, from left
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GENTLEMEN MARRY BRUNETTES, Jeanne Crain, in a costume by William Travilla, 1955
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THE TAXI DANCER, Joan Crawford
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WEARY RIVER, Betty Compson, 1929
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SWEETIE, Helen Kane, 1929
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SYNTHETIC SIN, Colleen Moore, 1929
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SYNTHETIC SIN, Colleen Moore, 1929
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SUNNYSIDE UP, from left, Charles Farrell
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OUR MODERN MAIDENS, Joan Crawford
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THE RACKET, Marie Prevost, 1928
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OUR DANCING DAUGHTERS, Joan Crawford, Nils Asther, (left), 1928
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OUR DANCING DAUGHTERS, Joan Crawford, Dorothy Sebastian, 1928
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OUR DANCING DAUGHTERS, Joan Crawford, 1928
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THOROUGHLY MODERN MILLIE, Carol Channing, 1967
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THOROUGHLY MODERN MILLIE, Julie Andrews, 1967
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MAN BAIT, Marie Prevost, 1927
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Sunburned woman pulling down shoulder strap of her beach blouse as man smiles
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Ethel Barrymore (1879-1959), at the White House, Washington, D.C. April 1925
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Roxie Stinson having her fortune told after delivering sensational testimony at the Senate investigations of the Teapot
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Roxie Stinson, divorced but not estranged former wife of Jess Smith
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Chicago Chief of Police Michael Hughes pinning a star on Amelia Earhart on July 19
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A beach official checks the amount of thigh exposed by a young ladies bathing suit in 1922
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Silhouette of a stylish women smoking in 1926
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Mary Jayne, a stylish roaring twenties beauty
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NICE PEOPLE, from left: Bebe Daniels, Julia Faye, 1922
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Studio portrait titled MISS MODESTY
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Agatha Christie (1890-1976), British mystery writer
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