Slit Prints

Gloria Grahame, 1946
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Myrna Loy, Fox, 1931
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Jean Peters, ca. early 1950s
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Ann Miller, ca. 1950s
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Alice Faye, ca. mid-1930s
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Joan Crawford, ca. 1940s
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SOUTH SEA SINNER, Shelley Winters, Macdonald Carey, 1950
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Rita Hayworth, 1940s
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Rita Hayworth, 1940s
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TO HAVE AND HAVE NOT, Lauren Bacall, 1944
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LADIES OF THE CHORUS, Adele Jergens, Marilyn Monroe, 1948
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LOVE HAPPY, Marilyn Monroe, Marion Hutton, Harpo Marx, Groucho Marx, Chico Marx, 1949
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UP IN ARMS, Dinah Shore, 1944
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WABASH AVENUE, Betty Grable, 1950
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VINCENT of BEAUVAIS (1190-1264)
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RAMIREZ, Juan. Degollacion de San Hermenegildo
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THERE'S NO BUSINESS LIKE SHOW BUSINESS
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THERE'S NO BUSINESS LIKE SHOW BUSINESS
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Doctrine chretienne (Christian Doctrine) (13th c)
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BRU, Ayne ( -1510). The Martyrdom of Saint Cucufate
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VILADOMAT i MANALT, Antoni (1678-1755)
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Beatus of San Pedro de Cardena
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RAMIREZJuan; RAMIREZJuan. Degollacin de San Hermenegildo
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Raquel Welch in a promotional portrait for THE BIGGEST BUNDLE OF THEM ALL, 1968
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THE KILLERS, Ava Gardner, 1946
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GYPSY, Natalie Wood, 1962
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I'LL CRY TOMORROW, Susan Hayward, 1955
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WABASH AVENUE, Betty Grable, 1950
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UP IN ARMS, Dinah Shore, 1944
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LURED, Lucille Ball, 1947
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GILDA, Rita Hayworth, 1946
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HIT MAN, Pam Grier, 1972
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PORGY AND BESS, Dorothy Dandridge, 1959
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